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Master and Commander: The Far Side of the World (2003) Play Movie

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You will observe total description of Master and Commander: The Far Side of the World below:
  • Original Title : Master and Commander: The Far Side of the World
  • Movie title in your country : Master and Commander: The Far Side of the World
  • Year of movie : 2003
  • Genres of movie : Adventure,
  • Status of movie : Released
  • Release date of movie : 2003-11-14
  • Companies of movie : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
  • Countries of movie : United States of America,
  • Language of movie : Français, Português, English,
  • Durationof movie : 138 Min
  • Average vote of movie : 6.9
  • Youtube ID of movie : 4wDVf5Tkc88
  • Translation of movie : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,BG,
  • Cast of movie :Cpt. of Mizzentop), Thierry Segall (French Captain), Max Benitz (Calamy), Bryan Dick (Joseph Nagle), Ousmane Thiam (Black Bill), Tony Dolan (Mr. Lamb), William Mannering (Faster Doudle), David Threlfall (Preserved Killick), Richard Pates (Williamson), Billy Boyd (Barrent Bonden), Jack Randall (Boyle), Paul Bettany (Dr. Stephen Maturin), George Innes (Joe Plaice), Richard McCabe (Mr. Higgins), Lee Ingleby (Hollom), Russell Crowe (Captain Jack Aubrey), Patrick Gallagher (Awkward Davies), Max Pirkis (Blakeney), Edward Woodall (2nd Lt. William Mowett), Chris Larkin (Capt. Howard), Joseph Morgan (William Warley, Robert Pugh (Mr. Allen), Alex Palmer (Nehemiah Slade), James D'Arcy (1st Lt. Tom Pullings), Mark Lewis Jones (Mr. Hogg), John DeSantis (Padeen), Ian Mercer (Mr. Hollar)
The courage to do the impossible lies in the hearts of men.

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Master and Commander: The Far Side of the World the proper movie created by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, possessing a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best ear busting sound quality and greatest starring actors.

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Helicopter Camera : Phil Pastuhov, Visual Effects Supervisor : Pablo Helman, Co-Producer : Bob Weinstein, Visual Effects Editor : Tom Barrett, Set Production Assistant : Heather Anderson, Rigging Gaffer : Stephen Johnstone, Assistant Art Director : Kevin Ishioka, Visual Effects Producer : Jeff Werner, Dialogue Editor : Hugo Weng, Set Designer : Manuel Martínez, Production Coordinator : Andy Foster, Rigging Grip : Oscar Gomez, Set Designer : Mark Hitchler, Digital Intermediate : Hilda Saffari, Foley : Gary A. Hecker, Production Design : William Sandell, Visual Effects Supervisor : Mitchell S. Drain, Art Direction : Marco Niro, Visual Effects Producer : Julia Frey, Set Dressing Supervisor : Jennifer Lewicki, Loader : Sal Alvarez, Camera Operator : Jamie Barber, Transportation Coordinator : Russell McEntyre, Technical Supervisor : Brian Gee, Layout : Dani Morrow, Production Sound Mixer : Art Rochester, Post Production Assistant : Sassica Francis-Bruce, Grip : Chris Centrella, Seamstress : Marcelina Barraza, Electrician : Willie E. Dawkins, Projection : Larry Hoki, Screenplay : Peter Weir, Camera Operator : Martha Susana Ramos, Dolby Consultant : Andy Potvin, Visual Effects Producer : Helen Elswit, Foley : Nancy Parker, Music Editor : Simon Leadley, Camera Operator : Guillermo Rosas, Script Supervisor : Brenda Lopez, Camera Operator : Don Reddy, Special Effects Coordinator : Daniel Sudick, Original Music Composer : Christopher Gordon, Property Master : Doug Harlocker, Thanks : Christopher Terrill, Makeup Effects : Gabriel De Cunto, Propmaker : Bobby Mara, Sound Re-Recording Mixer : Paul Massey, Armorer : Steve Auvenshine, Color Timer : Jim Passon, Scoring Mixer : Robert Fernandez, Transportation Captain : Wayne Stone, Unit Production Manager : Todd Arnow, Set Dressing Artist : Giovanni Bianchini, Art Direction : Mark W. Mansbridge, Best Boy Electric : Rick Maddux, Hair Department Head : Yolanda Toussieng, Steadicam Operator : Harry K. Garvin, Director of Photography : Russell Boyd, Translator : Quincy Perkins, Visual Effects Coordinator : Kimberly Adams, Digital Compositors : Kathleen Beeler, Novel : Patrick O'Brian, Post-Production Manager : Patrick Esposito, Casting : Fiona Weir, Editor : Lee Smith, Studio Teachers : Judith M. Brown, Standby Painter : Anthony Gaudio, Sequence Supervisor : Jay Cooper, Executive Producer : Alan B. Curtiss, Director : Peter Weir, Executive Visual Effects Producer : Blondel Aidoo, Producer : Samuel Goldwyn Jr., Sound Effects Editor : Michael W. Mitchell, Assistant Director : Alan B. Curtiss, Studio Teachers : Maxine Arbarbara, Art Direction : Bruce Crone, Camera Operator : George Billinger III, Sound Recordist : Tim Gomillion, Stand In : David Oliver, Costume Supervisor : Dawn Y. Line, Leadman : Christopher Neely, Set Medic : Jeffrey D. Stevens, First Assistant Editor : John Lee, Set Decoration : Robert Gould, Original Music Composer : Iva Davies, Makeup Artist : Robin Beauchesne, Lighting Technician : Derick Pritchard, Stunts : Joey Anaya, Costume Design : Wendy Stites, Location Manager : Michael John Meehan, Producer : Peter Weir, Quality Control Supervisor : Timothy Michael Cairns, Screenplay : John Collee, Art Department Coordinator : Gerald Lehtola, Boom Operator : Jeffrey A. Humphreys, Set Designer : Carlos Benassini, Video Assist Operator : Adam Barth, Dialect Coach : Judy Dickerson, Visual Effects Producer : Stephanie Hornish, Camera Operator : Matthew J. Siegel, Telecine Colorist : Eric Putz, Production Accountant : Jen Hutchinson, Stunt Coordinator : Daniel W. Barringer, Co-Producer : Todd Arnow, Construction Foreman : James Arrigo, Producer : Duncan Henderson, Digital Effects Supervisor : David Ebner, Sound Designer : Richard King, Art Direction : Héctor Romero, Line Producer : Bridget Bourke, Hairstylist : Edith I. Amezcua, Craft Service : Orlando Chongo, Visual Effects Supervisor : Stefen Fangmeier, 3D Supervisor : Christopher Bonnstetter, Production Illustrator : Daren Dochterman, I/O Supervisor : Brian Cuscino, Co-Producer : Meyer Gottlieb, Driver : Tom Gilhooley, Unit Publicist : Sandy O'Neill, Set Designer : Nick Navarro, Still Photographer : Stephen Vaughan, Gaffer : David Lee, Visual Effects Editor : Kosta Saric, Stunt Coordinator : Doug Coleman, Casting : Mary Selway, Post Production Supervisor : Jeffrey Harlacker, Sound Re-Recording Mixer : Doug Hemphill, Second Unit Cinematographer : David R. Ellis, Construction Coordinator : Gary Deaton, First Assistant Sound Editor : Linda Yeaney, Script Supervisor : Wilma Garscadden-Gahret, Set Designer : Bill Hiney, Co-Producer : Harvey Weinstein, Unit Manager : Rafael Cuervo, Storyboard : David Russell, First Assistant Camera : Robert Hill, Production Office Coordinator : Derek Jan Vermaas, Makeup Department Head : Edouard F. Henriques, Casting Associate : Nicole Hilliard-Forde, Utility Stunts : Mitch Toles, Original Music Composer : Richard Tognetti, Lighting Artist : Michael Sean Foley, Set Costumer : Javier Arrieta, Researcher : Brice Criswell
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